“To the the man who only has a hammer, everything he encounters begins to look like a nail.” – Abraham Maslow. Likewise, a Cinematographer with a DSLR might be tempted to use it for motion picture projects, even though it may not always be the best tool for the job. Meanwhile, these cameras are being embraced by distinguished Cinematographers such as Shane Hurlbut, ASC, Gale Tattersall, and Rodney Charters, ASC, with exceptional results. These are DPs who could probably have access to just about any camera they care to choose. So are these cameras the game changing panacea for Filmmakers, or does the “Man-With-A-Hammer” Syndrome better explain why we are suddenly hearing so much news of the HDSLR as the seemingly ubiquitous motion picture camera?

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