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Company 3 Completes 3D and Color Grading for 'Underworld Awakening' with DaVinci Resolve
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Feb 03, 2012
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Blackmagic Design has announced that Company 3 used DaVinci Resolve with Resolve Control Surface for color grading the 2D, 3D and IMAX 3D versions of Underworld: Awakening. The film, directed by Mårlind and Stein and shot by
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ALEXA, Anna, 'Anonymous': Anna Foerster Shoots the First Feature to Use ARRI’s New Camera System
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by David Heuring Dec 01, 2011
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Anonymous dramatizes an argument that has roiled university English departments for close to a century: was Shakespeare really Shakespeare? Or did someone else—someone with a better education and more worldly experience than the
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Syfy Unleashes 'Alphas': Tapeless Production with ARRI Alexa, Canon 5D and GoPro
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by John Merli Aug 22, 2011
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The term “alpha” can mean different things to different people—to some it’s the first letter of the Greek alphabet, while to others it’s the brightest star in the galaxy. In the Syfy series Alphas, the term refers to five
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Company 3 Colors Action-Packed Video for Beastie Boys
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Aug 15, 2011
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Award-winning post production house Company 3 completed work on the Beastie Boys' latest music video "Don't Play No Game That I Can't Win" (featuring Santigold). Billed as an "action adventure spectacular," the video, directed by
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Éclair Restores 'Les Enfants Du Paradis' with Image Systems’ Phoenix
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Jul 20, 2011
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Image Systems, formerly Digital Vision, has today announced that its Phoenix Refine restoration system was used by Éclair, one of the world’s leading film and digital laboratories, to restore 1940s French classic Les Enfants du
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Igloo Post Producing Earth-Touch Documentaries with Quantel
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Jun 07, 2011
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Igloo Post, a post production house in London, was responsible for turning around six 1-hour wildlife documentaries for a new UK series called Earth-Touch. Igloo did all the online, color grading and deliverables on a single
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Michael Bay: '3D Is Tough As Hell'
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Jun 02, 2011
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In last week's Paramount-sponsored discussion with James Cameron, Transformers: Dark of the Moon director Michael Bay said, "I ended up loving the 3D, but it was tough as hell."
Read more and watch clips from the latest
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SCRATCH Automates 2D and 3D VFX Dailies For 'Thor'
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May 31, 2011
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ASSIMILATE, a provider of powerful post-production tools for digital workflows, revealed details of how its SCRATCH end-to-end digital cinema and broadcast imaging tools were used to streamline and automate the 2D and 3D stereo
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In a Better World
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by Jon Silberg May 24, 2011
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When cinematographer Morten Søborg and director Susanne Bier began their highly productive collaboration on small Danish productions including Once in a Lifetime and Open Hearts, they probably weren’t thinking in terms of winning
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Grainger Sky Theater
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by Joy Zaccaria May 17, 2011
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A galaxy of applications and programs are put to work for a feature presentation of the Milky Way.The Adler Planetarium in Chicago will hold the grand opening of its Grainger Sky Theater this July. Featuring an 8K x 8K projection
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The Phantom Experiment
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May 13, 2011
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Cameraman and DP Tom Guilmette was recently shooting an ad campaign with the Phantom Flex and found himself with an extra day of rental time -- which he promptly put into experimentation (and a few explosions). Read the details
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Zentropa Launches VOD Platform
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May 11, 2011
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Starting on May 18th, Danish production house Zentropa will launch its own VOD platform at zentropaondemand.com. The site will be available internationally and will allow users access to Zentropa's entire catalog with prices
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Recreating Reality and the Push for HDR
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May 10, 2011
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What IndieFilm3D took away from NAB 2011 was that the combination of stereoscopic 3D, higher frame rates and higher dynamic rates could spell a new reality for moviegoers -- one that looks, literally, like reality.
Says
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RED’s $60K EPIC-M camera gets torn down by the FCC
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May 04, 2011
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The FCC has gone and done what most of us probably couldn't -- taken apart the RED EPIC-M camera. For anyone who's dying to take a peek at RED's 14 megapixel MYSTERIUM-X image sensor, Wireless Goodness has the pictures here.
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Post House Digital Sputnik's Work on 'Cave of Forgotten Dreams' and 'el Premio'
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May 04, 2011
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While Digital Sputnik may be one of Europe’s smaller post houses, this IRIDAS customer pulled off what many of the industry’s largest players only dream of: premiering two films during the main program of film festival Berlinale.
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