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Company 3 Completes 3D and Color Grading for 'Underworld Awakening' with DaVinci Resolve
Feb 03, 2012
Blackmagic Design has announced that Company 3 used DaVinci Resolve with Resolve Control Surface for color grading the 2D, 3D and IMAX 3D versions of Underworld: Awakening. The film, directed by Mårlind and Stein and shot by More...
ALEXA, Anna, 'Anonymous': Anna Foerster Shoots the First Feature to Use ARRI’s New Camera System
by David Heuring Dec 01, 2011
Anonymous dramatizes an argument that has roiled university English departments for close to a century: was Shakespeare really Shakespeare? Or did someone else—someone with a better education and more worldly experience than the More...
Syfy Unleashes 'Alphas': Tapeless Production with ARRI Alexa, Canon 5D and GoPro
by John Merli Aug 22, 2011
The term “alpha” can mean different things to different people—to some it’s the first letter of the Greek alphabet, while to others it’s the brightest star in the galaxy. In the Syfy series Alphas, the term refers to five More...
Company 3 Colors Action-Packed Video for Beastie Boys
Aug 15, 2011
Award-winning post production house Company 3 completed work on the Beastie Boys' latest music video "Don't Play No Game That I Can't Win" (featuring Santigold). Billed as an "action adventure spectacular," the video, directed by More...
Éclair Restores 'Les Enfants Du Paradis' with Image Systems’ Phoenix
Jul 20, 2011
Image Systems, formerly Digital Vision, has today announced that its Phoenix Refine restoration system was used by Éclair, one of the world’s leading film and digital laboratories, to restore 1940s French classic Les Enfants du More...
Igloo Post Producing Earth-Touch Documentaries with Quantel
Jun 07, 2011
Igloo Post, a post production house in London, was responsible for turning around six 1-hour wildlife documentaries for a new UK series called Earth-Touch. Igloo did all the online, color grading and deliverables on a single More...
Michael Bay: '3D Is Tough As Hell'
Jun 02, 2011
In last week's Paramount-sponsored discussion with James Cameron, Transformers: Dark of the Moon director Michael Bay said, "I ended up loving the 3D, but it was tough as hell."  Read more and watch clips from the latest More...
SCRATCH Automates 2D and 3D VFX Dailies For 'Thor'
May 31, 2011
ASSIMILATE, a provider of powerful post-production tools for digital workflows, revealed details of how its SCRATCH end-to-end digital cinema and broadcast imaging tools were used to streamline and automate the 2D and 3D stereo More...
In a Better World
by Jon Silberg May 24, 2011
When cinematographer Morten Søborg and director Susanne Bier began their highly productive collaboration on small Danish productions including Once in a Lifetime and Open Hearts, they probably weren’t thinking in terms of winning More...
Grainger Sky Theater
by Joy Zaccaria May 17, 2011
A galaxy of applications and programs are put to work for a feature presentation of the Milky Way.The Adler Planetarium in Chicago will hold the grand opening of its Grainger Sky Theater this July. Featuring an 8K x 8K projection More...
The Phantom Experiment
May 13, 2011
Cameraman and DP Tom Guilmette was recently shooting an ad campaign with the Phantom Flex and found himself with an extra day of rental time -- which he promptly put into experimentation (and a few explosions). Read the details More...
Zentropa Launches VOD Platform
May 11, 2011
Starting on May 18th, Danish production house Zentropa will launch its own VOD platform at zentropaondemand.com. The site will be available internationally and will allow users access to Zentropa's entire catalog with prices More...
Recreating Reality and the Push for HDR
May 10, 2011
What IndieFilm3D took away from NAB 2011 was that the combination of stereoscopic 3D, higher frame rates and higher dynamic rates could spell a new reality for moviegoers -- one that looks, literally, like reality. Says More...
RED’s $60K EPIC-M camera gets torn down by the FCC
May 04, 2011
The FCC has gone and done what most of us probably couldn't -- taken apart the RED EPIC-M camera. For anyone who's dying to take a peek at RED's 14 megapixel MYSTERIUM-X image sensor, Wireless Goodness has the pictures here.  More...
Post House Digital Sputnik's Work on 'Cave of Forgotten Dreams' and 'el Premio'
May 04, 2011
While Digital Sputnik may be one of Europe’s smaller post houses, this IRIDAS customer pulled off what many of the industry’s largest players only dream of: premiering two films during the main program of film festival Berlinale. More...
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