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Scene Dissolve: Bobby Bukowski Creates A Digital Deterioration in 'Rampart'
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by David Heuring Jan 26, 2012
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Bobby Bukowski and Oren Moverman's last project together, The Messenger, won Best First Feature at the Independent Spirit Awards. The duo reconvened in 2011 for Rampart, a portrait of a tough, embittered Vietnam vet whose job as
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ALEXA, Anna, 'Anonymous': Anna Foerster Shoots the First Feature to Use ARRI’s New Camera System
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by David Heuring Dec 07, 2011
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Anonymous dramatizes an argument that has roiled university English departments for close to a century: was Shakespeare really Shakespeare? Or did someone else—someone with a better education and more worldly experience than the
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Shooting '2 Broke Girls': Adventures in Multi-Camera Production
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by Jon Silberg Dec 07, 2011
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Rumors of the death of multi-camera sitcoms have been greatly exaggerated. While many network comedies have used other formats to tell their stories in recent years, there continue to be new, fresh examples of traditionally shot
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Cinedeck EX Combines with Sony F3 Camera for Alin Bijan's 'The Ghost of Goodnight Lane'
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Nov 30, 2011
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Cinedeck LLC has revealed details of how its Cinedeck EX, multi-format, HD-SDI recording, monitoring and playback system, was combined with high-performance Sony F3 cameras to play a pivotal role in the camera-to-post workflow of
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Going Handheld with the Sony F3
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by Ned Soltz Nov 21, 2011
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No, that’s not me with that impressive Sony rig on my shoulder. But I did have the opportunity to be among the first to have it in my possession for a few days to put the gear through its paces.The Sony PMW-F3 continues to make
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In Review: Nuwaste Studios Pocket Light Meter
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by Jay Holben Aug 23, 2011
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I’ve written about some fantastic iPhone iPod iPad applications for video professionals in the past, and my list just keeps growing. I was dubious when I first heard about Nuwaste Studios’ Pocket Light Meter—it sounded like a
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'The Three Musketeers' Shot with the ARRI ALEXA in 3D
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Aug 22, 2011
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The latest adaptation of Alexandre Dumas' classic novel, The Three Musketeers, will be in 3D and shot on the ARRI ALEXA. DP Glen MacPherson talks to ARRI about the decision to shoot his third 3D film digitally. He says, "Really
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'Blade Runner' Revisited
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Aug 16, 2011
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To create this tribute to classic sci-fi flick Blade Runner, artist Francois Vautier extracted 167,819 frames from the final cut of the film to create one gigantic square 3.5 gigapixel image. He then used a virtual camera to move
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Randall Dark Gets Close Up for Eddie Willis’ 'Glow' Video
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Aug 15, 2011
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Texas-based Director Producer Randall P. Dark wanted an intimate feel for the video clip of Eddie Willis’ “Glow” from his new CD, After the Music. While listening to the rough track of “Glow,” Dark realized that the track, sung
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Dialogue: Manuel Alberto Claro, Cinematographer, 'Melancholia'
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by Jon Silberg Jul 14, 2011
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Danish cinematographer Manuel Alberto Claro recalls that the opportunity to shoot the new Lars von Trier film was something of a "secret dream" come true. Claro had attended the same Danish Film Institute the director had some 18
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The Film May Be Divisive But These Gorgeous 'Tree of Life' Stills Are Not
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Jun 28, 2011
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Any fans of Terrence Malick understand that his films are as much of a visual experience as a narrative one, and sometimes even more so. Behold i09's slideshow of stills from The Tree of Life--mostly from the much talked-about
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HBO’s 'Game of Thrones' Unleashes Bold Visuals with ARRI Alexa
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Jun 14, 2011
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The production team of Game of Thrones selected ARRI Alexa digital cameras to capture the HBO drama’s cinematic visuals. The show is based on the bestselling fantasy book series A Song of Ice and Fire by George R.R. Martin, which
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Norwegian Monster Movie 'Trollhunter'
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Jun 02, 2011
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Norwegian monster movie Trollhunter opens in theaters on June 10th and is available on iTunes now. Calling it a "great, tongue-in-cheek monster movie," The Observer's Very Short List also adds that "the visual effects are
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Badlands: An Oral History
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May 31, 2011
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Elusive The Tree of Life director Terrence Malick may not give interviews (the last one he gave was in 1975), but GQ has painstakingly collected fascinating quotes from him as well as collaborators, admirers and Badlands actors
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Slideshow: Production Design on 'The Tree of Life'
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May 31, 2011
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Terrence Malick's The Tree of Life (winner of the Palme d'Or at Cannes this year), tells the story of a Texas family in the 1950s. To create the look of the film, Malick turned to his longtime collaborator, production designer
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